documentary

Meaningful Nothings

Somewhere along the way, I fell in love with words as much as images, and the idea of somehow combining the two had always been close to my heart. Also close to my heart, is my own stories; ones that plays over and over in my mind - loudly, softly, or otherwise. In short, Meaningful Nothings is a mini-series trying to combine my love for words, images, and stories (that of my own, in this case). Meaningful Nothings is also an experiment; an attempt for me to try different things in exploring my work. _DSF4469

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Feel free to drop me a message/comment on thoughts!

Cheers!

Meranti - an ongoing/upcoming project

Over the last couple of weeks I have been working on a project in various places. It's currently ongoing, but you can see a short trailer below! http://instagram.com/p/rm8cy4BH8p/?modal=true

On a related note; the instagram account above is one i use solely for projects/work, seeing as my personal account is now mixed with random stuff - feel free to follow! There will be future projects in it.

Tons of things are in the works, and will hopefully get to the blog once it comes out; for now, enjoy the instagram updates!

Cheers, Adi

Natural Surveillance

title gradient-4A month later, a website was born. Over the last month I have been working on a project in collaboration with the British Geological Survey (BGS) about natural surveillance. In keeping with the surveillance heavy nature of the recent conversations, I decided to take a more relaxed perspective on the subject matter. I also decided to explore using websites in order to present a photographic/multimedia work in order to make the experience (a little) more interactive. Check out the website by clicking in the image above!

Cheers, Adi

They Who Dance

Last month, I was able to visit the city of Ubud, Bali, in search for stories to cover. What I found was an interesting dichotomy between art preservation and means of living. I wished I had more time to work on the story, instead I had to return before long. I visited one of the performance space, Ubud Palace, to see if I could get access to the behind the scene of one of Bali's most famous dances; tari Barong. The show was on almost every day in the Ubud Palace; that night was Sadha Budaya Dance studio's turn, who kindly allowed me access to behind the backstage. _MG_8180

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Buskers

cover3 After a long, arduous steps, I have finally published my most recent project that took a bit of time to make - Buskers. Buskers tells the story of the art of street musical performance, and the people behind it (click on the image or here to go to the project). It is an ongoing project, but I had to share the first part because it felt so close to my heart, and perhaps because it's a personal message to a friend.

It is not everyday that we meet people who inspires us, and I blame fate to have allowed me to have met such an inspiring figure, B - the man behind the first part of the busker project. I truly hoped that my work - to a certain point - captured the essence of the man, for my words could never have. I have never met a man more open to strangers, both through music and rconversations, as B. Warm as a kindling fire to anyone who approaches him, I had wondered how B's past had affected him. I, of course, am in no place to understand the links between his story and his present, and can only gaze in wonders.

In the end, this post is a message to B - it has been a great pleasure in meeting you. It has been a great learning process, and I did learn a lot from you. I truly hope that whatever you are doing will be fruitful, and that you never stop being a source of warmth in the cold of winter, nor the comfort of rain in the draught of summer.

Cheers, Adi

Iphone photojournalism? why not!

I have never been a big opponent of Iphone (or ANY SMARTPHONE) photography - I love using it when I don't have my camera with me, and I had always thought that it takes good picture; for instagram at least. Whenever I could, however, I would prefer my DSLR - faster focusing, better dynamic range, and... now that you mention it, I don't know what else. Indeed, one day, a mob of workers in protests appeared in front of my eye when I didn't have my camera with me. I took out my Iphone, and started shooting. IMG_2210

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Surprisingly (or unsurprisingly) the Iphone (or again, ANY SMARTPHONES) allowed me to get really close. The tiny, non threatening size allowed people to be more comfortable with me putting a piece of thin box before their faces. I might look funny running around pointing my cellphone at people's faces, but at least I got great photos from such tiny contender (it's smaller then a Leica!)

So, Iphone photojournalism? Why not indeed.

Craftmen of London Pt. I - Leicaman

Project1-Leica (393 of 618)"You are lucky to be able to see a Leica being dismantled," the man said as we descended a flight of stair into a dark workshop. Scattered around the room was shelves of Nikon SLRs, Leica boxes, and pieces of Leica bodies. Ever since I picked up my M3, I had always been a big fan of the camera (I care not about the battles between brands - I love Nikon, I use Canon, and adore Leica, Mamiya, Zeiss, and everything else), so when I was allowed to peek - and document - the process of repairing a classic Leica M2, I was filled with glee. "Come here and take a look," the man said as he sat down and put his assignment - an M2 - on the desk; he had shifted some boxes around him just enough to make space for me to stand. "Now let's see here...," He mumbled a little as he lowered his magnifying visor; after which, he began to work. What followed was almost two hours of concentration as he slowly, carefully, and tactfully disassembled the camera. Screw by screw, part by part, the Leica began to look less like the famed sleek minimalist body that it had been known for, and more like a piece of random machinery. Project1-Leica (217 of 618)

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The work was not fast - one does not go fast when dealing with a camera older than I am - but it was thorough. Along with the repairs, the man also changed the leather ("Vulcanite - I don't know why Leica used this trash; it's very poisonous," as he put it), and did some maintenance with the lens, a 50mm collapsible Summicron.

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"Done! Another happy customer," The man said as he marveled upon the finished camera; it looked brand new by then. As he walked us upstairs back into the shop, I wondered how many Leitz Cameras and lenses had this man worked on? how many times had he thought to himself, "another happy customer"? and as he walked outside, and tried to shoot with the leica, feel the tiny whisper of a click from the fabric leaf shutter, how many times had he tested a camera by shooting it outside the shop? The number, however many it is, will grow, perhaps past the hundreds. It was an otherworldly experience, seeing a man fixing a piece of wonderful mechanical engineering like a Leica, with such finesse, and such pride.

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